Showing posts with label Renée Perle. Show all posts
Showing posts with label Renée Perle. Show all posts

Tuesday, October 11, 2011

Renée Perle Redux



My fascination with Renée Perle, Jacques Henri Lartigues most famous muse continues.  She is almost as mysterious as the Mona Lisa, we know very little about her.  She was with Lartigue for two years and she painted, I suspect she was influenced and encouraged by Lartigue and the artistic crowd he ran around with, she probably felt she needed to explore her own artistic capabilities.  These photographs by Lartigue are of Renée in Lartigues studio in Paris with her work.  The paintings are naive and as you can see she had a tendency to paint portraits in her own image, whether this was because she was narcissistic or merely practising with what she new best and felt comfortable with is something we shall probably never know.






I would love to know what happened to her after her break up with Lartigue, the only information that I have managed to unearth is she died in the south of France in 1977.  She must have married as she did have a step daughter who had an oil painting of Renée, all Renées carefully preserved belongings and collections were dispersed by the Paris auction house Tajan in 2000 and 2001.  One thing we do know is that she has been immortalised by Lartigues photographs. Renées image, great personal style and mystique continue to inspire...


Alexi Lubomirski for German Vogue March 2009


















Strange to think if Lartigue had not met Renée by chance in Paris in 1930, she would be a forgotten lady, sunk without trace.


To see previous posts on Renée go here

Monday, August 22, 2011

Lartigue's Ladies



Florette, Paris 1943

There is no doubt that Jacques Henri Lartigue had an excellent eye, he also had an eye for the ladies and I think perhaps a hand and nail fixation...

On December 17th 1919, Lartigue married his first wife Madeleine Messager, he called her Bibi, they had two children together Dani born in 1921 and Veronique born in 1924, sadly she died at only a few months old.  Madeleine and Jacques parted in 1930.
Bibi Paris 1921

Bibi at the Hotel des Alpes, Chamonix, 1920

Bibi on their honeymoon, 1919

From Lartigue's Personal diaries...

January 1920 –

“What am I ? And what am I doing here ? I am a married man – on my honeymoon. I think it must be the funniest thing in the world, me, a married man, on his honeymoon.
Bibi and I go everywhere together … arm in arm. We look at everything; we discover everything”.

“On her loving days Bibi is intelligent, charming and terribly funny. I will cherish forever the first photograph I took of her on our honeymoon.”
“We have a good life …”

“To keep in good shape Bibi exercises every morning with her teacher. I sometimes exercise with her, but that apparently, is disastrous for her concentration. We laugh too much. I don’t understand why Bibi is so concerned about her figure. She tells me she does it for me and that I ought to be flattered. Life is full of excitement, surprises … and best of all, Bibi.”


Bibi, Cannes 1923

1921 –

“I have a son ! He was born on August 23. His name is Dani, and he cries, he screams, he howls … and when Dani finally consents to give his public a vague, resigned smile of concession, everyone is ecstatic: he smiles like an angel”

“Yvonne (Printemps) is one month younger than I, Bibi two years. They are both flowers on the point of opening up to their moment of greatest beauty … so why do I still look like a bunch of green raisins ?” 

1924 –

“Bibi in the last month of her pregnancy evokes an enormous tenderness in me. We are very close … in all senses. It seems to me, strangely enough, that I am waiting with more nervous expectation for this second child than I waited for our first. Bibi is not nervous. Quietly she prepares the room for the baby, irons the curtains, plays with Dani. She is tired … but happy.” 

February 1929 -

“Bibi is near to fainting in my arms.”

“To die on a Sunday. Messager, the always active man. I think about that. I think about a lot of things. My eyes are dry. Don’t I feel any grief ? Bibi weeps over her father … isn’t that enough to make my heart melt ?”


Bibi, Hotel des Alpes, Chamonix 1930

June 1929 -

“I am alone in the studio, my cluttered garret, high up in our house in Neuilly. It’s four o clock in the morning. Through the skylight I can see the whole city (Paris) bathed in the first glow of sunrise. I wonder how many unhappy people there are living in all the thousands of houses ? Am I one of those unhappy people ? 
In a little while, I will go downstairs and lie beside Bibi. But first I must clarify my thoughts. I haven’t been very successful so far. It has been said so many, many times that a betrayed husband is the last person to know and to understand. A betrayed husband ? Me ?
Bibi ! My little Bibi ! Bibi of our happy years ! Would she really betray me ? I realize, of course, that anything, absolutely anything, can happen in a lifetime; that the most improbable crises are always plausible. But this ? Bibi and that poseur ! Bibi, with her lack of patience, her knife-sharp judgments ! Bibi, the daughter of Messager ! But I shouldn’t have forgotten that Bibi is also the daughter of that Louis XV mother with her lace furbelows ! Does Bibi really love this man ? He loves her. Yes ! To him she is the Rolls-Royce he always wanted to have, when all the idiot can afford is a Renault ! I talk, I write, I think. But inside me the chaos continues ! I tell myself lies, and then I try to convince myself that what I just told to myself is the truth. I think: I love Bibi, she is mine. I don’t want to be concerned about anything else. There is a certain kind of suffering you can refuse. I am very sleepy, and I realize that I don’t know anything more than I did a few hours ago.”


Bibi, Megeve, January 1930

July 1929 -

“When I talk feverishly about the need to produce and to create, it really means that I’m in the midst of a crisis. Again I’ve become a spectator, an outsider, which, apparently is the only way I can live through these dramas. I have learned one thing: I should never have trusted our silences. I shouldn’t even have trusted the affectionate conversations we have had, Bibi and I. Our happiness has been assassinated ! We remain friends, we talk without anger, but the words – my words – are artificial. My second self, that cold, phlegmatic creature – my self-appointed referee – chuckles in a corner about my performance in real life.


Bibi arranging flowers, Nice 1920


Bibi and their son Dani, Nice February 1928

1930 -

“I live alone with my fantasies. Perhaps they are the best company a man can have?”
“Paris is almost deserted. The smell of the hot asphalt evokes memories of other summers. And all those memories together form one great big, enormous chaos: love. There are old, marvellous, tender, indescribable memories that I never did, and never could, invite Bibi to share.” 


In 1930 Jacques meets the beautiful Renee Perle, the lady that went on to become his most famous muse, she became his mistress, Renee and Jacques were together for two years.


Paris, March 7, 1930 -
“Half past five at the Embassy. I wait for my “parasol” from last night. I need a whisky. I’m very shy deep down, and ready to be furious if she doesn’t show up. It’s my curiosity that would be most disappointed…
Five thirty-five. There she is! Can it really be her? Ravishing, tall, slim, with a small mouth and full lips, and dark porcelain eyes. She casts aside her fur coat in a gust of warm perfume. We’re going to dance. Mexican? Cuban? Her very small head sits on a very long neck. She is tall; her mouth is at the level of my chin. When we dance my mouth is not far from her mouth. Her hair brushes against both.
“Romanian. My name is Renée P… I was a model at Doeuillet…” Delicious. She takes off her gloves. Long, little girl’s hands. Something in my mind starts dancing at the thought that one day perhaps she would agree to paint the nails of those hands…”

 To see a previous post all about Renee go here





On March 12th 1934 he marries Marcelle Paolucci or 'Coco' as she was known, they divorced in 1942
Coco 1934

Coco in the garden

Coco on the beach, Hendaye 1934

In January 1942 he meets twenty one year old Florette Ormea in Monte Carlo, Jacques was twenty seven years her senior.  They married on August 28th 1945, They remained happily together until Jacques death in 1986, aged 92.
Florette, 1947

Florette, Paris 1944

Florette Paris 1944

Florette, Paris 1944

Florette Paris 1944
Florette Paris, 1944


Florette, Monte Carlo, 1953



Florette Paris 1944

Florette with JFK and a friend, Le Cap d'Antibes 1953

 Florette at Picasso's studio, Cannes, 1955
 
"I have never taken a picture for any other reason than that at that moment it made me happy to do so"
Jacques Henri Lartigue

Monday, June 7, 2010

Renée Perle

 


Renée Perle, was a Romanian Jewish girl who moved to Paris.  She became a fashion model and in 1930 she met famous French Photographer Jacques Henri Lartigue (1894-1986) who is considered to be one of the leading photographers of the twentieth century (and my personal favourite). Renée became his muse and lived with Lartigue as his girlfriend.

As you can see from the photographs Renée had a great sense of style. Lartigues fabulous photographs of her capture the essence of 'The Jazz Age' and at the same time they are so classical that they have a timeless quality to them.  These photographs continue to inspire fashion designers and stylists today.

Renée passed away in the South of France in 1977.





From Jacques Henri Lartigues Diary, Paris, March 7, 1930.
“Half past five at the Embassy. I wait for my “parasol” from last night. I need a whisky. I’m very shy deep down, and ready to be furious if she doesn’t show up. It’s my curiosity that would be most disappointed…
Five thirty-five. There she is! Can it really be her? Ravishing, tall, slim, with a small mouth and full lips, and dark porcelain eyes. She casts aside her fur coat in a gust of warm perfume. We’re going to dance. Mexican? Cuban? Her very small head sits on a very long neck. She is tall; her mouth is at the level of my chin. When we dance my mouth is not far from her mouth. Her hair brushes against both.
“Romanian. My name is Renée P… I was a model at Doeuillet…” Delicious. She takes off her gloves. Long, little girl’s hands. Something in my mind starts dancing at the thought that one day perhaps she would agree to paint the nails of those hands…”




John Galliano calls Renée Perle, the inspiration behind his fall show (2007), "a kittenish Parisian coquette." Jacques Henri Lartigue, who immortalized her in his pictures, had another term: angel. The revered photographer met his muse in 1930 on the Rue de la Pompe. He thought she was Mexican, but he guessed wrong; Perle was Romanian, and a model once employed by the French dressmaker Doeuillet. "She is beautiful," Lartigue told his diary. "The small mouth with the full painted lips! The ebony black eyes. From under her fur coat comes a warmth of perfume. The head looks petite on her long neck." The pair spent two years together, cavorting as if on eternal vacation in Cannes, Juan-les-Pins, and Biarritz, with Lartigue's camera always at the ready. In the "shadowless heaven" of his photographs, glamorous women, including his first and second wives, Bibi and Florette, abound, but Perle's lacquered hair, slender silhouette, modern T-shirts, armfuls of bangles, and talonlike nails shone the brightest. "Around her," Lartigue wrote, "I see a halo of magic."
—Laird Borrelli























































































 There are plenty of books chronicling Lartigue's work.